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- * Jesse Malin.New York, New York.* Jesse MalinBandcamp
- IT'S TRASH NOW by AshTreJinkins, releases 01 December 20231. MYSPACE 20062. DRUG DEPRESSED3. YOU WERE NOT SPACE BASE APPROVED4. DAY ONE ARCHIVES5. IT'S TRASH NOW6. YOUNG OLD HEAD (THERE FOR THE CHANGES)7. NOT COCO BUTTER ENUFF8. OUT THE WAY, IN THE MIX9. LEVELS TO THIS10. LET'S ACKNOWLEDGE THE FACT THAT YOU TRIED ME11. WE NOT LINCOLNIT’S TRASH NOW, out December 1, 2023, on Leaving Records, functions as a (mostly) wordless love letter to the music. But It’s also a screed, a manifesto, a series of abstracted diary entries, and/or a catalog of feelings experienced in half-remembered dreams. AshTreJinkins, LA native beatmaker, producer, rapper, is full of joy and fire and a fierce allegiance to— that is, an impulse to both rep and defend— the genres and scenes in which he cut his teeth. This overflow of energy is evident throughout and across the release; including in the picture of Jinkins that is the album’s cover. He’s yanking a wild knit cap down over his eyes, mouth agape, maybe cracking up? Maybe crying out in exaggerated frustration…? At what? At all the bullshit and nonsense—the “trash” (of which, we must admit there is plenty). But this man isn’t bitter. He’s just committed. And frustration, especially when it’s paired with a decent sense of humor (as it consistently is throughout TRASH), is an energy that can be harnessed and alchemized. “It’s Trash Now…” We should acknowledge the sonic and imagistic rhymes that exist between the album name and Jinkins’s artistic moniker: “It’s trash” and “AshTre”… Jinkins is a self-styled connoisseur of grit, sifting through yesteryear’s beats like a crust punk searching for that one cigarette butt with a little tobacco left. He’s salvaging the goods and casting off the cheap imitations—all the pretenders to the throne. The first track, “MYSPACE 2006,” situates us, temporally and aesthetically. Those who were there then know (and those who weren’t probably can’t ever know) but the initial advent of social media, and Myspace in particular, constituted a wild leap forward for DIY musicians, a rapid expansion of one’s horizons—influences, connections, potential, etc. One minute you’re a kid listening to gospel and Jill Scott in the backseat of your mom’s car, then you’re installing FruityLoops 7 on your family desktop. Next thing you know Ras G is watching you play your first cypher and, pretty shortly thereafter, he’s treating you to your first proper Ethiopian dinner, willing and happy to talk the good talk. This is all, of course, assuming you’re someone possessed with talent, ambitions, and curiosity of spirit on Jinkins’s level.This ambition carries with it a bite: a visceral skepticism cast towards those chasing the money, the fame, the notoriety, the clout, at the expense of the music. In title alone, TRASH’s first single “NOT COCO BUTTER ENUFF,” functions as an indictment of the commercially friendly neo-soul that has, to Jinkins’s mind, dead-ended so many promising experimental careers. That the track is one of the records’ most recursive and texturally gritty is maybe no accident. Likewise the deceptively slippery, almost psychedelic “YOU WERE NOT SPACE BASE APPROVED,”is a sideways meditation on the unfortunate inevitability of fools rushing in after a legend dies, trying to consume all the oxygen. TRASH straddles ambient and, broadly, the California beat stuff that drew Tre into first performing. “LEVELS TO THIS” is a circa ‘09 Low End Theory redux barn burner if ever there was one. The record’s final track, “WE NOT LINCOLN,” is comparatively laid back, but the hits aren’t shy in the mix, and if you let the track lure you in, there’s a sort of *wink wink / nudge nudge* IDM nostalgia that reveals itself. Nostalgia, indeed, as well as humor (of the wry and quick-witted variety) are two of the record’s most readily identifiable colors. “DRUG DEPRESSED,” the record’s second track and a pseudo-interlude, feels simultaneously genuinely confessional (the track begins with the modulated admission, “...I am drug depressed”), and, also, maybe a little bit willfully goofy? With its warbly, shuddering foundation. We can’t ever say for certain when Jinkins’s tongue is or is not planted firmly in cheek. But it doesn’t really matter. Sarcasm and sincerity can, in fact, coexist, and this thesis can be proven by an eleven track instrumental electronic hip-hop (choose yr additional genre qualifier of choice) record. Jinkins is, to borrow a couple phrases from one of IT’S TRASH NOW’s track titles, a “young old head,” with a “day one archive.” And fellow heads of all ages and backgrounds would be wise to tune in.Bio by Emmett ShoemakerAshTreJinkinsBandcamp
- //TAPE 1// by R.AGGS, released 01 October 20201. Welcoming The Waves2. Speeding3. Exuberance4. What Will Become5. Tell Us Yourself6. White Walls7. Mt Florida8. Side By Side9. Hold On To Yr Head10. Sky Is Falling11. Back Of My Hand12. WhereverR.AGGSBandcamp
- Pablo Color.Zürich, Switzerland.Pablo ColorBandcamp
- Péké Viré by Dowdelin, released 10 March 20231. Péké Viré2. Whispers Behind ft Djeuhdjoah et Lieutenant Nicholson3. I Like To Move ItDowdelin “Péké Viré” EPFresh off a nomination at Les Victoires du Jazz for their album “Lanmou Lanmou” released last January with Underdog Records, Dowdelin returns with a new 3-track EP named "Péké Viré" which can be translated as “We won’t look back”.This is indeed a departure as the band, as per usual with eachnew release, redefines itself, or rather develops/extends its enjoyable mix of cultures and influences to reach uncharted musical landscapes/universes.“Péké Viré” was recorded live with drums and amplifiers, in other words, in the band’s concert setup and sounds definitely more electric, warmer and more geared towards dancing. This can be felt on the quasi jazz-funk track "Whispers Behind" that features the shiny duo Djeudjoah &Lt Nicholson.French and English are in the foreground here, alongside, Creole, a staple of Dowdelin’s identity.The title track kicks off as a dreamlike tribal chant "Nou ké alé, péké viré", "We’re on our way, we won’t look back" which echoes the band’s trailblazing musical approach, as well as the journey of migrants refugees who are the main topic of the song. “When we see who is afraid of being replaced, maybe it wouldn’t be such a bad thing after all. Let’s do it!”We are in an atmosphere of organic and tribal house where the chorus is reminiscent of a pygmy song with its choirs of convulsive onomatopoeia.The third title is no less than a very personal take on the famous and inebriating song "I like to move it" that recently saw another surge in popularity thanks to the movie Madagascar.An anthem which morphs quite naturally into a Caribbean house beat with the help of a great deal of Ka drum from Guadeloupe. The lyrics are re-written in Creole and the band goes as far as introducing a short jazzy re-harmonization at the end with more of a Brazilian flavor.DowdelinBandcamp
- Hiccup.New York, New York.NEW ALBUM *Imaginary Enemies* out now on Father/Daughter Records.Hiccup is from Brooklyn, NY. Feat. members of The LLC ("The Chris Gethard Show"), Grim Streaker & the Unlovables. Alex on guitar & vox. Hallie on bass & vox. Piyal on drums.HiccupBandcamp
- Space Oddity by We Are KING, released 08 January 20211. Space Oddity2. Space Oddity (Instrumental)BBE Music announces forthcoming David Bowie tribute album ‘Modern Love’ with first single ‘Space Oddity’ reinterpreted by Grammy-nominated twin sisters We Are KING.Much lauded by the likes of Rolling Stone, TIME, Glamour and The New York Times, We Are KING‘s ethereal, synth-laden soul sound has earned them the #1 position on Billboard’s Heatseekers chart, and their self-titled debut album placed within the Top Ten on the Independent and R&B Album charts. The duo has also contributed writing, production, vocals, keys and arrangements to Corrine Bailey Rae, Bilal, Robert Glasper, Sam Sparro and The Foreign Exchange among many others.Released on David Bowie’s birthday (January 8th 2021), their cover of his surprise 1972 hit ‘Space Oddity’ is a paean to this wholly singular and somewhat eccentric anthem. Smooth, subtle and assured, We Are KING’s version remains true to the original, while blending in just enough soul to make it their own.“There were so many amazing Bowie compositions to choose from but Space Oddity has always been our favorite- it’s so visual; it has always felt like time travel in a song. It tells such a vivid and imaginative story of Major Tom’s trip through space and it was such a cool experience to reimagine what it’d be like on the voyage” – We Are KING.Like BBE album ‘Exit Music: Songs with Radio Heads’ did for the music of Radiohead back in 2006, ‘Modern Love’ offers a fresh look at David Bowie’s diverse and transcendent back catalogue. The project is curated by Music Exec & DJ Drew McFadden, alongside BBE Music founder Peter Adarkwah.We Are KINGBandcamp
- Shut it Down: Benefit for the Movement for Black Lives by Shut It Down Comp, released 04 September 20201. Minority Threat - Punk Politics2. Chepang - Gaida Taskar Chutkeli3. Amygdala - Where Have All the Windows Gone4. Thou - Kerosene5. The 1865 - Filler6. Modern Life is War - End Times Dub (Urian Hackney at the Controls)7. Disembodied - Seven Stitches (Live)8. Terminal Nation - Cop Drop 20209. Cloud Rat - Screen Door10. Xibalba - La Injustica11. Sunn 0))) - Dream Canyon12. Burn - Mountain13. Primitive Man - Tired14. Racetraitor - Zoropsidae15. Dawn Ray'd - Black Cloth (Live)16. Kaonashi - Look Like Me (Alternative Press Diss)17. Vile Creature - Apathy Took Helm!18. Hive - Most Vicious Animal19. Jesus Piece - Oppressor (Live)20. Cold Shoulder - Primitive21. Misery Signals - River King22. Rwake - Infinince (Demo)23. Changeling - Destroy Habituated Suffering24. La Armada - Plagued25. Rough Francis - Panthers in the Night26. War On Women - Anarcha27. End - Usurper (Live at Saint Vitus)28. Solarized - Magazines29. Cult Leader - Kurdistan30. Sect - Curfew (Remix)31. Ache - Shell Shock (Live)32. Rebelmatic - Survival Gathering33. Extinction AD - 199234. White Phosphorus - 22635. With War - Scorched Earth (Live)36. MAAFA - Welfare37. Dog Years - Fingers to Lips38. Exit Strategy - Swallow Teeth39. Redbait - To Destroy / Knife Fight (Live)40. Absolution - Not This Time ( Urian Hackney Mix)41. All Torn Up! (featuring Stza Crack) - Legalized Genocide42. Cue Ball - Record Scratch43. Thorns of Reality - Anthistemi44. Many Blessings - Enemies I Will Never Forgive45. Neckbeard Deathcamp - MAGAphobe46. Bovice - Fatal FuryShut It Down is a compilation of 46 metal, hardcore, punk, and noise bands speaking out and raising money for black lives and an end to racist policing. All proceeds will be donated to the organization Movement for Black Lives (m4bl.org). Shut it down is independently organized by the members of the music community and not affiliate with M4BL or any organization.Shut It Down CompBandcamp
- Thotcrime.Urbana, Illinois.digital girls on yr computer ^~^ThotcrimeBandcamp
- Off Me Nut.Sheffield, UK.Independent rave music label. Est. 2010.Off Me NutBandcamp
- nowe kawałki by zdrada pałki, released 27 December 20161. potwór gender2. masse critique3. młodzi na swoim4. los solidarios 20165. mife miso6. gdybym była wielką gwiazdą (COVER)7. o królu popielu8. iz chernoy reziny sdelana vlast (COVER)zdrada pałkiBandcamp
- Electrosexual.Berlin, Germany.⛧New single ´Age of access´ feat. Mavin: https://album.link/AgeOfAccess Electrosexual is the creation of Romain Frequency — the Berlin-based music producer and DJ — as well as a vehicle for them to explore gender, art, technology, and alternative sexualities through auditory signals.ElectrosexualBandcamp
- Ana Frango Elétrico.Rio De Janeiro, Brazil.Ana Frango ElétricoBandcamp
- Merch from Alessi's ArkAlessi's ArkBandcamp
- In the Organ Loft at Midnight by Sir Bobby Jukebox, released 09 June 20231. S.B.J.I.T.O.L.A.M.2. Don't Say Goodbye3. Department of Defense4. Tropical Bird Lingo5. You Lit a Candle Wrong...6. Totally Outta Sync7. Fortitude Valley8. Leaving Island Time9. Radio Tumbleweed10. Nudity11. No Fly Zone12. Hire-A-Heart13. In the NettlesSir Bobby JukeboxBandcamp
- Cecilia Lopez.New York, New York.Cecilia Lopez is a composer, improviser and multimedia artist from Buenos Aires, Argentina based in New York. She works across the media sound, improvisation, performance, installation and the creation of electronic sound devices and systems. Her work has been performed in numerous venues in the US, Argentina and Europe.Cecilia LopezBandcamp
- Lê Almeida.Rio De Janeiro, Brazil.Pensamento longe, pés no chão e a certeza das horas passandoLê AlmeidaBandcamp
- Mitchell and Vincent.UK.David Mitchell and Graham Vincent are a folk duo from Dorset and Somerset who play a lively mix of traditional tunes which they have arranged for Fiddle and Classical Guitar alongside songs from around the British Isles.They have performed at a whole variety of festivals, events and concerts around the UK and abroad.Mitchell and VincentBandcamp
- Boundary.Santo Domingo, Dominican Republic.artista de música electrónica experimental de república dominicanaBoundaryBandcamp
- Brìghde Chaimbeul.Scotland, UK.Brìghde Chaimbeul grew up on the Isle of Skye, Scotland. She has developed an innovative style on the Scottish smallpipes that emphasises rich textural drones and a trance-like constancy of sound. In 2018 she became the first signing to Rough Trade’s new folk imprint River Lea. Her debut album The Reeling was named The Guardian’s Folk Album Of The Month and one of The Quietus’ Albums Of The Year.Brìghde ChaimbeulBandcamp